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Saturday 31 December 2011

[GUMI PV] dolce ~A Drawing Song of the Sky~ (English+Romaji+Tagalog Subbed) +mp3 +iTuneslink







Song: dolce ~空の絵描きうた~ (dolce ~A Drawing Song of the Sky~) Lyrics: リョータイ (Ryotai) Music and Arrangement: フェイP (FayeP) Vocals: GUMI Album: dolcissimo ( itunes.apple.com ) translated and encoded by hoshifura Uploaded in NND on February 14, 2010. Old song is old, but really nice nonetheless. It's been one of my faves by FayeP since... ever. mp3: nicosound.anyap.info scroll down to the tab with "Mp3" next to some Kanji. I recommend you just buy the album on iTunes. ^^ Original NND upload: www.nicovideo.jp you need a NND account to be able to view it.

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เหตุผล - ปาน ธนพร (Parn Thanaporn) (Eng Sub)







เหตุผล (Reasons) (Eng Subs) - ปาน ธนพร (Parn Thanaporn) Artist: "ปาน" ธนพร แวกประยูร ("Parn" Thanaporn Wagprayoon)* Title: เหตุผล? (Hayt-Pon?) English Title: Reasons? Album: พรหมลิขิต (phrom-likit) English Album Title: Fate Year: 2009 Video Translation and English Subtitles: Anothaidara anothaidara.com * Although, today, ปาน (Parn) is thought of as a Thai pop singer and songwriter; she developed as an important singer and songwriter in several major areas of Thai music including ลูกทุ่ง (Thai country) - เพื่อชีวิต (Peua Chee-Wit) and สตริง-ป๊อป (Thai pop) music. It would be hard to overstate Parn's contribution to modern Thai popular music. Parn developed musical styles that are now used by many Thai singers and groups. The song เหตุผล? (Hayt-Pon?) is a well-written, well-executed ballad that is in Parn's style - both thematically and musically.

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Kavalai Illatha Manithan 1960 Tamil Movie Watch Online



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Cast : T. R. Mahalingam, Rajasulochana, Lakshmi Rajam, M. R. Radha, M. N. Rajam.


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We Shall Overcome 2006 Hollywood Movie Watch Online



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Director : Niels Arden Oplev

Writers : Niels Arden Oplev, Steen Bille

Genres : Drama

Original Movie Title : Drømmen

Cast : Bent Mejding, Anders W. Berthelsen, Jens Jørn Spottag, Anne-Grethe Bjarup Riis, Peter Hesse Overgaard, Sarah Juel Werner, Janus Dissing Rathke, Elin Reimer, Gyrd Løfquist, Lasse Borg, Daniel Ørum, Kurt Ravn, Steen Stig Lommer, Joy-Maria Frederiksen


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Bionicle: Mask of Light 2003 Hollywood Movie Watch Online



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Directors : David Molina, Terry Shakespeare

Writers : Tracy Berna

Genres : Animation, Action, Adventure, Family, Fantasy

Country : USA

Language : English

Release Date : 16 September 2003

Also Known As : Bionicle: Mask of Light – The Movie


Voiceing in Bionicle: Mask of Light 2003 Hollywood Movie :

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Andrew Francis … Jaller

Scott McNeil … Toa Tahu / Toa Onua / Grallock The Ash Bear

Lee Tockar … Makuta / Pewku

Christopher Gaze … Turaga Vakama

Kathleen Barr … Toa Gali

Dale Wilson … Toa Lewa, Turaga Onewa

Michael Dobson … Toa Kopaka / Hewkii

Trevor Devall … Toa Pohatu

Lesley Ewen … Turaga Nokama

Chiara Zanni … Hahlii

Doc Harris … Kolhii Announcer


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Magic of Spell 1986 Hollywood Movie Watch Online



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Director : Chung-Hsing Chao

Writer : Chung-Hsing Chao

Country : Taiwan

Language : Mandarin

Original Movie Title : Qu mo tong

Cast : Shan Chen, Pei-pei Cheng, Bao-ming Gu, Hsiao-Lao Lin, Li-Chang Peng, Ching Wei Shen, Li Da Shen, Hsiung Yang, Mei Fang Yu


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We Shall Overcome 2006 Hollywood Movie Watch Online



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Director : Niels Arden Oplev

Writers : Niels Arden Oplev, Steen Bille

Genres : Drama

Original Movie Title : Drømmen

Cast : Bent Mejding, Anders W. Berthelsen, Jens Jørn Spottag, Anne-Grethe Bjarup Riis, Peter Hesse Overgaard, Sarah Juel Werner, Janus Dissing Rathke, Elin Reimer, Gyrd Løfquist, Lasse Borg, Daniel Ørum, Kurt Ravn, Steen Stig Lommer, Joy-Maria Frederiksen


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The ESP Couple 2008 Hollywood Movie Watch Online



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Director : Kim Hyeong-Ju

Release Date : November 27, 2008

Language : Korean

Country : South Korea

Cast : Jin Goo, Park Bo-Young


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Dream Boy 2008 Hollywood Movie Watch Online



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Director : James Bolton

Writers : James Bolton, Jim Grimsley

Genres : Drama, Romance

Country : USA

Language : English

Release Date : 11 December 2008

Cast : Stephan Bender, Maximillian Roeg, Thomas Jay Ryan, Diana Scarwid, Randy Wayne, Owen Beckman, Tom Gilroy, Rooney Mara, Rickie Lee Jones, Nick Ericson


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Director : James Bolton

Writers : James Bolton, Jim Grimsley

Genres : Drama, Romance

Country : USA

Language : English

Release Date : 11 December 2008

Cast : Stephan Bender, Maximillian Roeg, Thomas Jay Ryan, Diana Scarwid, Randy Wayne, Owen Beckman, Tom Gilroy, Rooney Mara, Rickie Lee Jones, Nick Ericson


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Jet Boy 2001 Hollywood Movie Watch Online



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Director : Dave Schultz

Writer : Dave Schultz

Genres : Drama

Language : English

Also Known As : Moments

Cast : Branden Nadon, Joe Norman Shaw, Matthew Currie Holmes, Randy Birch, David Lereaney, Shawn Anderson, Valerie Planche, Krista Rae, Carrie Schiffler, Dylan Walsh, Lynn Ivall, Stephen Strachan, Blair Wood, Tania Sablatash, Nancy MacDonald


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Habeas Corpus 1928 Hollywood Movie Watch Online



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Directors : Leo McCarey, James Parrott

Writers : Leo McCarey, H.M. Walker

Genres : Comedy, Short

Release Date : 1 December 1928

Cast : Stan Laurel, Oliver Hardy, Richard Carle, Charley Rogers


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Directors : Leo McCarey, James Parrott

Writers : Leo McCarey, H.M. Walker

Genres : Comedy, Short

Release Date : 1 December 1928

Cast : Stan Laurel, Oliver Hardy, Richard Carle, Charley Rogers


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Going Bye-Bye! 1934 Hollywood Movie Watch Online



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Director : Charley Rogers

Genres : Short, Comedy

Country : USA

Language : English

Release Date : 23 June 1934

Cast : Stan Laurel, Oliver Hardy, Mae Busch, Walter Long


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Drama Serial Mai Nee on Ary Tv - Episode 17/b


Writer : Maha Malik

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Cast : Samiya Mumtaz , Abid Ali , Fahad Mustafa , Aiza Khan , Sami Khan , Maham Nizami , Fareeha Jabeen , Agha Shiraz and Others


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Telefilm Salaam 2012 on Geo Tv - P-4


Cast: Saud , Javeria Saud , Shahzad sheikh , Annie jaffery , Faisal jamil , Samia naz



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Drama Serial Mai Nee on Ary Tv - Episode 17/a


Writer : Maha Malik

Director : Babar Javed

Cast : Samiya Mumtaz , Abid Ali , Fahad Mustafa , Aiza Khan , Sami Khan , Maham Nizami , Fareeha Jabeen , Agha Shiraz and Others


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Nightwish - The Poet And The Pendulum (Lyrics: English-French)







I hope you like my video ;) J'espère que vous aimez ma vidéo ;) All music, clips and images belong to their owners. I do not own any of the music, images, or clips used in this video. No copyright infringement intended. If something belongs to you in this video and you want me to remove it, send me a message on youtube and I will remove it. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

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Drama Serial Meray Charagar on Geo Tv - Episode 13/c


Cast: Aisha Khan , Javed sheikh , Rubina Ashraf , Ahson Khan , Shagufta Ejaz , Jia Ali , Syed Jibran , Tipu Yurguc Sharif and Azfar Rehman

Written By: Rukhsana Nigar

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Drama Serial Humsafar on Hum Tv - Episode 15/a


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Cast : Fawwad Afzal Khan , Mahira Khan , Naveen Waqar and Others.

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Ek Main Aur Ekk Tu Music Review

The forthcoming Imran Khan (I Hate Luv Storys) and Kareena Kapoor (Ra.One) starrer Ek Main Aur Ekk Tu has Amit Trivdei as its composer and Amitabh Bhattacharya as lyricist. The recent unveiling of the theatrical trailer points to a predictable new age romantic comedy trying hard to disguise itself as an off-beat/indie love story. In any event recent romantic comedies, that is, I Hate Luv Storys, Aisha, Break Ke Baad, Love Breakups Zindagi and the like had good music to fill its predictable gaps. Here’s hoping the Trivedi-Bhattacharya team does the same.


The soundtrack contains 7 tracks, 2 of which are remixes and features the vocal talents of Shekhar Ravjiani (‘Raftarein’ – Ra.One), Vishal Dadlani (‘Zara Dil Ko Thaam Lo’ – Don 2), Shilpa Rao (‘Khuda Jaane’ – Bachna Ae Haseeno), Karthik (‘Behne De’ – Raavan), Anushka Manchanda (‘Mit Jaaye Gham’ – Dum Maaro Dum), Benny Daya (‘Aadat Se Majboor’ – Ladies V/s Ricky Bahl), Ash King (‘Te Amo’ – Dum Maaro Dum) and Trivedi himself.


The soundtrack beings with the Title track, promos of which are at large by now. On the outset it’s a catchy and foot-tapping number, destined for popularity. Anushka and Benny carry the track on their shoulders effectively without much effort while Shefali Alvares (‘Tu Mera Hero’ – Desi Boyz) provides some decent additional vocals for completion. The sonic vocals are a nice touch. Bhattacharya’s lyrics are surprisingly unremarkable, especially the chorus, “Ek main hoon aur ek tu. I wanna be with you. Tere peeche peeche main. Mere aage aage tu.” It is rather kid-ish and not at par with his recent more articulate work. Moreover, while the new-age-ness of a montage of drunken escapades has its appeal, arguably it’s a tad bit overrated with the recent overflow of “tali” songs in F.A.L.T.U, Rang De Basanti, Ugly Aur Pagli and the like. Remix by DJ Shiva is a lot more upbeat and may even be appropriate for the club scenes. The sonic vocals, which were a nice touch in the original, have been overdone here thought causing the singers vocals have become unrecognizable at times. In any case, both tracks are equally good.


Gubbare is up next and is in the same line as ‘Shaam’ from Aisha. Sung well by Trivedi, Shilpa Rao and Nikhil D’Souza, its acoustic and earthy nature is its appeal, if not as catchy and endearing as ‘Shaam’ Whether metaphorical or literal Bhattacharya’s lyrics are fun and cute while also being that little bit philosophical.


Aunty Ji gets the party started, old school style. It’s got a slight ‘Senorita’ (Zindagi Na Milengi Dobara) feel to it and Ash King who up until now serenaded us with love songs owns this wonderfully weird party track. Bhattacharya’s flirty/funny lyrics are an absolute delight and will guarantee some very flushed cheeks if tried on any aunties. Ash is an incorrigible flirt and does Bhattacharya’s lyrics justice. Combine it with some just-enough-corny-to-be-cool dance music and you have one fun number.


After the party, the soundtrack takes a sombre turn with Aahatein. Vocalised by Karthik and Shilpa, this typical romantic comedy pre-climax track is amazingly sung by the duo. Their renditions are as beautiful as they are morose. The minimal music and vocal potency of the track make it all the more appealing and showcases Bhattacharya’s well-penned lyrics effectively. Aahatein’s remix by Abhijeet Vagnani aesthetically takes the tempo up a few notches while Shekhar Ravjiani replaces Karthik. It is vastly upbeat than the first but somehow it does not take away from the melancholic nature of Bhattacharya’s lyrics. Both versions are good in their own way.


The soundtrack ends with Kar Chalna Shuru Tu, a well-penned equivalent of a pep talk come alternative title track. While Shilpa Rao does a decent job of singing it, Vishal Dadlani, arguably, is not in full form. The track is similar to his ‘Aadat Hai Who’ (Patiala House) in some ways, which he sang beautifully but this time he sounds a tad bit off track. Morever, the music is not as appealing as its predecessors and brings the album to a sore close.


In summary, given that Amit Trivedi is composing and Ek Main Aur Ekk Tu clearly belonging to the romantic comedy genre, one can easily expect an Aisha from this soundtrack. If you are, then you will be quite disappointed. While Ek Main Aur Ekk Tu is entirely listenable, it is below the standard of work we have witnessed Trivedi deliver in Aisha, Dev D and No One Killed Jessica. That being said, the musical verdict for his last gig, Chillar Party, should have been an indication of a downward spiral in any event. Ek Main Aur Ekk Tu is vast improvement from Chillar Party but nowhere near the genius witnessed in Trivedi’s aforementioned former works. Strictly speaking, ‘Aunty Ji’ and the title track (inclusive of remix) will most likely be the popular ones while ‘Aahatein’’ (inclusive of remix) is a close runner-up. ‘Gubbare’ and ‘Kar Chalna Shuru’ suffer from sounding like derivatives of each other even though they are decently written. Moreover, the unremarkable renditions all work against their favour.


In short, listenable yet unremarkable.


Ek Main Aur Ekk Tu Music Review is a post from: BollySpice

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Bollywood’s New Year Resolutions for 2012

Let’s face it, 2011 hasn’t been Bollywood’s best year, and there’s much that can be done to make sure 2012 is better. Let’s take a look at what should be the industry’s top fifteen resolutions for the New Year.


1. Use “Hinglish” titles only when appropriate!


I wonder if it’s even fair to label Bombay’s film industry the “Hindi” film industry, because I’d say at least 50% of film titles in 2011 have been in English. Sometimes using English in a title works (i.e. The Dirty Picture, Tanu Weds Manu), but these Hinglish (many times, simply English) titles often elicit a “WTF.” Titles like Always Kabhi Kabhi, Luv Ka The End and Love U Mr. Kalakaar are unintentionally hilarious (read: stupid) while generic English titles like Game and Ready are just plain lazy. A title is one of a film’s first selling points and can spark interest or act as a complete turn off, so let’s work on getting them right.


2. Kareena Kapoor will stop taking on boring roles in mediocre films.


Look, no one’s saying Kareena Kapoor can’t act. But it would be nice if she did it more often. In both Bodyguard and Ra.One, Bebo played second fiddle to an attention-hogging male lead, making easy money in mediocre films. Is this what we expect of the industry’s most bankable female actor? With over ten years of experience, she should be setting (and raising) the bar for other actresses, not taking the easy way out by latching on to a Khan in hopes of a hit film. She recently said that she is glad to be working in Madhur Bhandarkar’s Heroine because she hasn’t done a “performance-oriented” role in a while. The question is: shouldn’t all of Bebo’s roles be performance-oriented?


Other actresses who need to step up their game: Bipasha Basu, Deepika Padukone, Priyanka Chopra


3. Music directors will get over the whole “sufi” craze (It’s good music, but let’s have some variety!). And let’s give our female singers some more scope.


It’s become a staple for every Hindi film soundtrack to feature a sufi-inspired track that most likely features Rahat Fateh Ali Khan (or someone who sounds like him). Sure, they’re great songs, but this trend is getting extremely repetitive. On that note, female singers are getting completely sidelined by their male contemporaries because so many film soundtracks feature a solo male singer (i.e. Zindagi Na Milegi Dobara, Rockstar, Mausam). Let’s mix it up, shall we?


4. Bring those scissors out. Let’s start editing better so good movies don’t go to waste.


Even good movies in 2011 were hampered by poor editing. Films like he Dirty Picture, Zindagi Na Milegi Dobara, and No One Killed Jessica were good, but could have been even better if editors were more liberal with their scissors. Seeing Vidya Balan gyrate to ‘Honeymoon Ki Raat’ in TDP was grating, a sequence that could easily have been cut from the film. Is anyone else tired of saying that a film wasn’t great because it felt “too long?”


5. Shah Rukh Khan will stop trying so hard, and instead, do what he does best.


I hate to break it to you, but Shah Rukh Khan is getting old. The 46 year-old actor simply can’t pull off a Raj from Dilwale Dulhania Le Jayenge, no matter how badly we want him to. This year, we’ve seen him as the iconic Don and G.One. While he was good in both, the good ol’ SRK magic is completely missing, and it might be because King Khan is trying too hard to be cool. I mean, really, SRK mouthing lines sung by Akon? It just doesn’t fit. I’d like to see SRK play roles that play up his signature charisma, without forcing the “cool” factor down audiences throat. We get it, he’s cool. He is SRK, after all.


6. Bring back good ol’ classic Bollywood, trees and all.


Today, we laugh about drawn out song sequences with a romantic pair singing in fields and forests, but these are the characteristics of Hindi cinema that made it famous. It’s definitely nice to see filmmakers try different things, but audiences are hungry for some classic Bollywood—probably why they lapped up a film like Dabangg two years ago. Even The Dirty Picture played up classic Bollywood stereotypes and audiences loved it. In 2011, most films were either “slice of life” flicks or masala action films, but the quintessential Bollywood drama is slowly becoming extinct.


7. Actresses like Rani Mukerji, Preity Zinta, etc. will come back in a big way.


With 2011 acting as one of the most disappointing years for female actresses, audiences are looking back to old favourites like Rani Mukerji and Preity Zinta with nostalgia, who could easily stand out even in films with dominating male actors. It’s good news that Karisma Kapoor will have Satte Pe Satta and Dangerous Ishq (2012), because the industry is in dire need of good female performers.


Other actresses that we miss: Konkona Sen Sharma, Kajol, Tabu


8. Yash Raj Films will take a break until they rediscover their old magic.


Remember when a Yash Raj Films was a keenly anticipated event? Not anymore. Both Mere Brother Ki Dulhan and Ladies vs Ricky Bahl were boring duds, proving that YRF have lost the spark they had in the early 2000s. Y-Films, a branch of the production house focusing on films targeted at the youth produced Luv Ka The End and Mujhse Fraaandship Karoge, and only the latter was watchable (Don’t get me started on the former). It’s time that Yash and Aditya Chopra put things on hold until they figure out what’s going wrong and how to fix it.


9. The industry will finally get over Katrina Kaif. Please?


By now I’ve accepted that Katrina Kaif is here to stay, and she’s certainly more watchable than she was a few years ago. But why can’t the industry accept her for what she is: a beautiful woman, but an absolutely mediocre (and I’m being generous) actress. After ‘Sheila Ki Jawaani’ in late 2010, she was also featured in a song from Bodyguard and now in Agneepath’s ‘Chikni Chameli.’ She’s about as good of a dancer as she is actor, but her popularity with audiences seems to make her first on every director’s wish list. There isn’t much more to say about Kaif, because if you’ve seen any of her movies and have half a brain, you’ll know why she’s the most overrated star in the industry.


10. Mallika Sherawat will give up on Hollywood.


Look, Mallika. I know Bollywood hasn’t always been the most kind to you, but you haven’t exactly been the easiest person to get along with either. Let’s call a truce. We miss you, and now that you’ve had some fun meeting foreign celebrities in Los Angeles, it’s time to get back to work in India. In 2011, we saw Sherawat bust a move to item numbers like ‘Razia,’ ‘Shalu’ and ‘Jalebi Bai,’ but both her cross-cultural acting pursuits were laughable. Let’s not forget that this chick can give most current actresses a run for their money; she was excellent in 2002’s Murder and 2006’s Pyaar Ke Side Effects. I’m not sure if the problem is at Mallika’s end or the industry’s end, but the fact of the matter is that we don’t get to see her on screen in full-fledged roles enough. Anyway, why do Z-grade films in Hollywood when you can do big-budget films here?


11. Abhishek Bachchan will get a hit!


In the past five years, Abhishek has had thirteen releases and only three sure-fire hits (Guru, Dostana and Paa). If there’s anyone who desperately needs a successful film right now, it’s him. In 2012, he’s playing it safe with multi-starrers like Players (which looks wannabe-cool but might do well), Bol Bachchan and Dhoom 3 (which will likely release in 2013). For Abhishek’s sake, let’s hope one of his films in 2012 is a quality film that becomes success.


12. Deepika Padukone and Sonam Kapoor will take acting classes together.


Their debuts were on the same day five years ago, but neither actress has managed to prove their worth despite all the hype. In 2011, Deepika was bland in Aarakshan and Desi Boyz while Sonam hammed (as usual) in Mausam and Thank You. We’ve given them five years to prove their acting chops, and that’s five years too long. Desperate times call for desperate measures and it’s time that Padukone and Kapoor invest in some acting classes before disappointing us time and time again.


13. Madhuri Dixit will sign a damn film.


After Aaja Nachle’s failure at the box office, it’s understandable that Madhuri Dixit is being extra picky about her next film. There’s been tons of rumours, but no official announcements. The clock is ticking, Mads. Just sign it!


14. The obsession with foreign actresses will end.


Every year, there’s at least one film that features a foreign actress trying to be desi. This year, it was Imtiaz Ali’s Rockstar find, Nargis Fakhri, who was almost universally panned for being one of the film’s weakest points. When will filmmakers learn that fair skin and dark hair doesn’t make a good actress. I’ll be interested to see how Amy Jackson fares in the upcoming Ekk Deewana Tha, though I don’t have high hopes. It’s not that foreign actresses are bad, but they are given roles that don’t fit them. It’s not rocket science, people; if you don’t look and sound like you could be Indian, how can you play a person who is born and bred in India?


15. Salman Khan will raise the bar for himself.


The last few years have seen a re-emergence of Salman Khan’s popularity, and rightly so. He’s undoubtedly the king of the masses, but it’s time for him to move away from the masala action entertainer and show us that he can do something different. Wanted, Ready, Bodyguard – they’re all starting to look the same now. Rumours suggest that he’s teaming up with Rajshri Films for another love story, which might just do the trick.


Bollywood’s New Year Resolutions for 2012 is a post from: BollySpice

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